ABOUT
Originally camera assistant and training cinematographer in Paris, France, I have been captivated by the art, science and technology of film for now more than 10 years.
Throughout my curriculum and work experiences, I have developed an insatiable passion for editing and grading, while keeping a foot on-set or holding a camera when I can. Thanks to professional and personal projects, I have been exposed to a wide spectrum of formats, techniques and workflows (from 35mm and 16mm to D-Cinema, through stereoscopy, HFR, holography and real time technologies), and was able to learn the same craft under many roles (DI assist, edit assist, VFX editor)
Moving to New-Zealand and working with international teams also led me to meet amazing leaders and inspiring people across the fields of photography, filmmaking and education. After two years supervising the creation of digital humans for VFX and video games in Paris-based 3D studio EISKO, I moved to London where I've worked mostly as an Editor for commercials and VFX.
WORK HISTORY HIGHLIGHTS
edde
2020 - 2023 | VFX Editor
True Detective 4, Thor: Love and Thunder, The Witcher 2.
2018 - 2019 | Editorial assistant / Editor
Nexus Studios, London, UK.
2016 - 2018 | VFX Production Supervisor (digi doubles)
EISKO, Paris, FR.
2015 - 2018 | VFX Stills and add. Photography.
Antarctic expedition and proj mapping installations
2014 | Colour DI Assist. The Hobbit: BOTFA.
Park Road Post-Production, Wellington, NZ.
RESEARCH PUBLICATION
Cinema, Affects and Immersion: Thoughts on Stereoscopic Computer-Generated Imagery.
Gathering practical observations from many digital artists, stereographers and directors, this non-exhaustive study on virtual stereoscopy strives to draw a topical portrait of the 3D and CG association in fully animated movies.
EDUCATION
2013 - Internship in Bachelor of Arts & Design (3D/VFX)
Media Design School, Auckland, NZ
2012 - MA in Cinematography and Video Editingant.
Ecole Nationale Supérieure Louis Lumière, Paris, FR